Painter Robert Rauschenberg (1925-2008) at New York’s Guggenheim Museum: “Life Can’t Be Stopped”
Rauschenberg belonged to a generation of artists that emerged between the twilight of Abstract Expressionism and the dawn of Pop Art.
Rauschenberg belonged to a generation of artists that emerged between the twilight of Abstract Expressionism and the dawn of Pop Art.
The figures are startling, revealing a body of men and women often obliged to work two, three or four jobs to stay afloat and facing uncertainty and precarity on various fronts.
A coordinated campaign is underway by Zionist lobby groups and the German press to censor and/or close the exhibition "Commune – The Paradox of Similarity in the Middle East Conflict", which has been on display in Potsdam since mid-November.
Jaber Mohammed, only one among hundreds of prisoners who faced a similar fate, lost five years of his life to a regime of abuse and torture, part of the imperialist reaction to the 9/11 attacks.
Their testimonies are first-hand accounts of war crimes perpetrated by the self-proclaimed “the most moral army in the world”, flatly contradicting the IDF’s insistence that it operates in accordance with international law and takes measures to minimise civilian harm in its genocidal assault on Gaza.
The documentary has attracted an audience seeking to understand the rise of Bolsonaro in Brazil, but it ignores the role played by the Workers Party (PT) of President Lula.
The right-wing campaign leading to Kimmel’s suspension was launched in the wake of his comments on September 15.
The aim of the producers of the Emmy broadcast was to prevent any commentary on the explosive events in the US or mass murder in the Middle East.
The film gives a largely accurate account of the Nuremberg Trials of 1945-46, but it seeks the cause of the Nazis’ crimes in their individual psychology.
The film is among a number of recent works that address—or attempt to address—the burning question of mass state repression and fascism.
Two cousins, in an act of revenge, kidnap a successful, powerful corporate executive and hold her captive in their basement.
The mass Palestinian uprising, its defeat and the expulsion and imprisonment of its leaders at the hands of the British army is largely unknown outside the Middle East, particularly in Britain itself.
Officials have become entangled in the campaign to justify war against Russia and a new imperialist slaughter.
No Music for Genocide and the response of large numbers of performers and musicians speak to the broad leftward shift currently under way.
Shostakovich is remembered by contemporaries who were interviewed many decades later as a student of single-minded determination, even as a young teenager.
The new album confirms Swift’s indifference to virtually anything outside her bubble of fame, wealth and romance.
Jaber Mohammed, only one among hundreds of prisoners who faced a similar fate, lost five years of his life to a regime of abuse and torture, part of the imperialist reaction to the 9/11 attacks.
While Oborne offer a biting and passionate critique of the UK’s support for Israel and complicity in its genocidal war against the Palestinians in Gaza, his disgust and moral outrage is no substitute for explaining its causes.
Goldstone’s book documents the lives of five families trapped by low-wage work and homelessness in Atlanta.
What both books avoid is precisely what Marx insisted upon: that the liberation of humanity requires the political independence of the working class and the revolutionary overthrow of capitalism.
The mass anti-government agitation in Sri Lanka “was the result of real class differences in our society, the divisions between the haves and the have nots” – Prasanna Vithanage
One of his most accomplished works is Omar, a 2013 film about a young Palestinian baker (Adam Bakri) who becomes involved in complex political and moral matters.
“I strongly denounce state-sponsored witch-hunt and prosecution against artists and activists who have come forward against Israel’s genocide.”
Department of Defense interventions into American entertainment media is to “get people acclimated to the presence of military personnel, military bases, military operations, and weapons… normalizing the presence of the military in almost every aspect of life.”